^ "Big Boi Chart History (Pop Songs)".^ "Big Boi Chart History (Bubbling Under R&B/Hip-Hop Singles)".^ "Big Boi Chart History (Bubbling Under Hot 100)".^ "Big Boi Sets Up the Perfect Date in New "All Night" Music Video".^ "Big Boi - All Night (Official Video)"."Big Boi: Boomiverse review – brand new, he's retro…".
I WANNA KICK IT WITH YOU ALL NIGHT TV
The Guardian saw the song as "simultaneously too wacky and too obvious" and "a moment to cringe at, but for the most part this is dad rap that can hold its head high." Music video Ī music video for the single "All Night" was released on June 1, 2018. The song was featured in an iPhone X commercial in November 2017. "All Night" is a song about letting the girl choose what she wants to do. The song is played in the key of C♭ major, and in common time at 136 beats per minute. It also charted internationally in the UK, France, and Japan. The song is his highest charting single as a solo artist. It charted on the Billboard Bubbling Under Hot 100 chart at No. The song features guest vocals from American rapper Lunchmoney Lewis. It was released as a single on July 17, 2017. And there's still a whole other one to look forward to in two nights’ time." All Night" is the third single by American rapper Big Boi for his third studio album, Boomiverse. It’s a neck-wrecking, goosebump-lifting classic set from heavy music’s greatest band. Mercilessly piling on into closer Master Of Puppets, with its timeless blend of bittersweetness and savagery, it’s actually somewhat difficult even for hardened Metallica veterans to comprehend the brakes-off brilliance of what we’re seeing. The start of Seek & Destroy is fluffed as the crowd are going so wild the band can’t hear drummer Lars Ulrich count them in, but ends with Kirk and bassist Rob Trujillo sprinting round the circular stage together as if caught in some massive, invisible mosh. Fuel sees the stage erupt in flames: the decision to reserve pyro for that point making its arrival all the more effective.
I WANNA KICK IT WITH YOU ALL NIGHT FULL
Ride The Lightning and a rare full run-through of Battery get the chaos underway.
Rather, they slam the pedal to the metal with five all-time thrash classics in a row that detonate the audience into a frenzy of pumped fists and spinning pits. Having already confirmed that they’d be playing 16 tracks tonight, and presumably saving any setlist-extending surprises for Saturday, there is no fucking about with an encore. The Day That Never Comes (the only post-2000 track not on the new album aired tonight) stokes a different kind of nostalgia, with plenty of punters shocked to think it’s already 15 years old. Sad But True rocks the space to its foundations, Hetfield laughing-off a minor tuning fluff (“This is our first time on this stage we're only human.”) with a sparkle in his eye that says he knows there’s no need to apologise here. Instead, we get all-time anthem Nothing Else Matters. It’s a meticulously-planned, well-drilled, perfectly executed stadium metal masterclass.Īs they tip over into the second half of the set (the second quarter, remember, of this two-night extravaganza) it’s natural to expect another box-fresh 72 Seasons song or a catalogue-trawling deep cut. Looking lean, mean and clad in damn-near-skintight black shirt and jeans, Hetfield has dropped the ‘Metallica Famileh’ shtick, reverting back to more bombastic classic banter: “Are you alive? How does it feel to be alive?!” The production, meanwhile, subtly overcomes the aesthetic shortcomings of the in-the-round format with a colossal lightshow and orchestral segues accompanied by tasteful animated video clips on the screens filling gaps between songs. It’s clear, already, that Metallica are operating at a level above where they’ve been in recent years. Then Sleepwalk My Life Away brings the first half to a stomping close. Fade To Black overcomes some inconsistencies in the mix, with Kirk Hammett’s lead guitar sporadically going AWOL, by strength of sheer emotion. By the time they get to a salvo of new songs – 100mph NWOBHM throwback Lux Æterna, the snarling Screaming Suicide on live debut – the crowd are more than warmed up enough to give them their all. King Nothing sees James Hetfield address the audience for the first time, dedicating the Load highlight to the Dutch national holiday. For Whom The Bell Tolls and Holier Than Thou drop like bombs as the 50,000-plus in attendance find full voice. This can’t be that good, can it? Really? Yes.
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